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・ Judith Prakash
・ Judith Pronk
・ Judith Q. Longyear
・ Judith Quiney
・ Judith R. Frazin
・ Judith Rakers
・ Judith Ralston
・ Judith Raskin
・ Judith Rees
・ Judith Regan
・ Judith Reid
・ Judith Jasmin
・ Judith Jesch
・ Judith Jolly, Baroness Jolly
・ Judith Jones
Judith Joy Ross
・ Judith K. Zilczer
・ Judith Kahan
・ Judith Kaufmann
・ Judith Kaye
・ Judith Kazantzis
・ Judith Keene
・ Judith Keep
・ Judith Kelley
・ Judith Kelly
・ Judith Keppel
・ Judith Kerr
・ Judith Kimble
・ Judith Kirton-Darling
・ Judith Klavans


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Judith Joy Ross : ウィキペディア英語版
Judith Joy Ross

Judith Joy Ross (born 1946), in Hazleton, Pennsylvania, American portrait photographer. She has created a body of black-and-white portraits using traditional photographic tools and subject matter. With her old-fashioned 8x10-inch view camera mounted on a tripod, she directly confronts her sitters, whether they are children or members of Congress. Ross has the ability to capture the humanity and vulnerability of her subjects. She is often acclaimed for the emotional acuity of her portraits
==Biography==
Portraits of Cleveland Public Schools students were created by Ross in 1991, when she was a visiting critic at Yale University and a former Guggenheim Fellow, for the 1992 annual report of The George Gund Foundation. The Foundation commissioned the photographs in the report as a reflection of its commitment to the children of the Cleveland Public Schools
Her most famous work to date is a collection of portraits, called “Portraits of the Hazleton Public Schools. The volume focuses on one of Ross’s most personal series--67 portraits of students at public schools in her hometown of Hazleton, Pennsylvania. Between 1992 and 1994, Ross returned to the schools of her youth (the 1950s) as a way of revisiting the experience of growing up.
Ross has said: "I basically think people want to be recognized and appreciated, and when you put a big camera in front of them, they think, 'I must be interesting.' Meanwhile, I'm struggling, tripping over the tripod and putting a goofy black cloth on my head. Because we're both vulnerable, that person gives me more of themselves."

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